Tuesday, July 29, 2025

Frisbee-Friendly Inger

The Southwest Regional and United States Western Sectional Frisbee Championships were held at the Conejo Recreation and Park District in Thousand Oaks, California, on Saturday, October 4, 1969. The regional competition took place in the morning and then that competition's winner faced five other competitors in the afternoon. Throughout the demonstration, the boys showed off their curves, skip flights, behind-the-back catches, and distance tosses. 

This is an Inger Stevens site and not a frisbee enthusiast blog, you say?  Well, you'll never guess who served as the guest of honor for the competition and awarded the trophy to the winner at the celebration banquet that followed. 


 

Inger even gave frisbee throwing a shot herself! A trio of lucky fellows received trophies from Inger since there was a three-way tie for first place. 

As a gregarious person full of gratitude for her fans, Inger made personal appearances at many community events. You might enjoy reading about some other events at which Inger appeared that have been featured on this blog.

Blue Ribbon 400 - 1969 

Bonanza Celebration in Reno - 1959 

Lions Bowl - 1964 

Fort Worth Publicity Tour - 1963 

Desert Circus Queen - 1967 

Guide for the Married Man Cruise - 1967 

 

Monday, July 7, 2025

Inger Stevens, Student Nurse

In preparation for her role in the Playhouse 90 production "Diary of a Nurse", Inger worked as a student nurse in a local hospital. This was not a requirement, but something Inger felt would make her portrayal more convincing. Inger said, "They wanted to hire a technical advisor to teach me enough to get by, but I needed the emotional impact that a nurse goes through every day to be convincing on the screen."

While on the job, Inger answered bells for assistance which led to her changing beds, delivering dressing trays, feeding patients, and giving baths. She spoke with the nurses and they gave her insight into how the job made them feel during their daily rounds. Inger reflected on the experience:

I had to bathe a 10-year-old girl who was due to undergo a heart operation the next day. It was heartbreaking. She didn't know what was happening. The first thing I thought about the next morning was how she was pulling through. Fortunately, she is recovering beautifully. Right now I feel very much like a nurse. I'm still thinking about my patients and their lives. 

 

In the teleplay, Inger's character is a student nurse named Gail Lucas who becomes so emotionally involved in the lives of her patients that, as one reviewer said, "life for her becomes sadder with each new admission." Inger remarked on those attachments:

The transition from actress to student nurse seemed natural and normal. I didn't have time to be frightened. As I went my rounds, I heard the problems of each patient, and I learned you can't get too involved emotionally with them. Otherwise, all nurses would break down. 

Certainly, Inger was all too familiar with the routines and relationships discoverable within a hospital by the spring of 1959. She'd spent 16 days as a patient at Columbus Hospital in New York City in January of that year. Inger had survived a suicide attempt, but faced several medical setbacks that required the lengthy stay. Although a Paramount Pictures spokesman predicted that she would vacation in a warm climate to recover, Inger had no plans to take a break. In reality, surviving the attempt seemed to recharge Inger and spur her on to an even busier acting schedule and gave her the independence and confidence to break away from the studio, be more vocal about her desires, and embody the frail yet indestructible characters she so often played with a more knowing approach.

"Diary of a Nurse" would be Inger's first job following her recovery and her hands-on preparation as a student nurse indicates just how dedicated she was to the task. Inger enjoyed the experience, saying:

No, I don't want to become a nurse now. But I realize how badly they're needed. And I do plan to do some volunteer nursing work in the future. It was very pleasant being called 'nurse.' I was proud of it.

True to her word, Inger would go on to volunteer at Kedren Community Health Center and work with children with disabilities in hospitals for the rest of her life. But she also proved herself as a dependable, quality actress by performing in poignant episodes of Bonanza, The Twilight Zone, Route 66, and 19 other shows between her role in "Diary of a Nurse" in 1959 and starring in her own sitcom The Farmer's Daughter in 1963.

The production ran 1 hour and 30 minutes and was deemed a "well-knit show" with great performances by Inger, Mary Astor, Victor Jury, Mildred Dunnock, and Suzanne Pleshette. It aired on CBS on May 7, 1959. Unfortunately, the show is not available online or on physical media. Fortunately, a copy of the episode does exist and is preserved in the Paley Archive.

 

 

Sources:

"Inger Stevens." Los Angeles Mirror. May 7, 1959. 

"Inger Stevens, Student Nurse." TV Guide. June 1959. 

"Overdosed Actress Leaves Hospital." Guam Daily News. January 22, 1959. 

Scott, Vernon. "Inger Stevens Totes Bedpans." The Duncan Banner. May 7, 1959. 

"Talking TV by Jack Miller." The Hamilton Spectator. May 9, 1959.  

"TV and Radio Program Guide." Toledo Blade. May 7, 1959. 


Friday, November 22, 2024

An Early Modeling Job for Inger Stensland

Following her high school graduation in Manhattan, Kansas, Inger briefly settled in Kansas City before pursuing acting in New York City. Eagerly accepting any modeling opportunities, eighteen-year-old Inger even modeled medical equipment! On April 16, 1953, Inger Stensland was featured in the Kansas City Star. Inger demonstrated an oxygen machine at the Mid-West Hospital Association's convention. Inger would make her television debut in a Vel detergent commercial and reluctantly accept the stage name Inger Stevens just one year later.



Tuesday, May 14, 2024

Five Card Stud (1968) Now on BluRay!


Vinegar Syndrome released a Blu-ray of the 1968 western Five Card Stud earlier this year. VS restored the film into 4K from its 35 mm camera negative and the results are stunning! The Blu-ray includes a commentary track with film historian Brian Hannan and short features on Henry Hathaway and Marguerite Roberts. The movie has always been an enjoyable western but the enhanced quality of the Blu-ray gave me a new appreciation for the love scenes between Dean Martin and Inger as well as the action scenes featuring Dean and Robert Mitchum.





Sunday, May 12, 2024

Inger and the Blue Ribbon 400 in 1969

Inger talks to Mrs. Jonathan Larsen at the Blue Ribbon 400 party.

Inger was a member of the Blue Ribbon 400, a group of socialites and celebrities that supported L.A.'s Performing Arts Council. The Blue Ribbon 400 gathered at Mrs. Ingrid Orbach's home for a garden party on Wednesday, June 11, 1969. And who was Mrs. Ingrid Orbach? None other than Swedish actress Ingrid Goude whom Inger posed with for Life Magazine in 1957.

Ingrid Goude (later Orbach), Inger Stevens, and Mai Britt. 1957.

Director George Cukor, actress Rosalind Russell, and actress/dancer Marge Champion gave speeches during the event. In attendance were Polly Bergen, Natalie Trundy, Hope Lange, Shirlee Fonda, and Inger Stevens, of course. The Blue Ribbon 400 aimed for 400 women to pledge to give or raise $1,000 annually to the Los Angeles Music Center. It was revealed during the gathering that the Blue Ribbon 400 had raised over a million dollars to support the arts in less than a year. 

Ingrid Goude Orbach speaks to a guest at the party.

Tuesday, April 23, 2024

Inger at the 1959 Academy Awards

Inger onstage at the 1959 ceremony.

In April 1959, three months after a heavily publicized suicide attempt, Inger made her first public appearance at the 31st Annual Academy Awards ceremony. The event took place at the Pantages Theater on April 6th. Inger's film The Buccaneer was nominated for Best Costume Design, but lost to Gigi. In fact, Gigi dominated the awards, winning nine categories: Best Motion Picture, Director, Screenplay from Another Medium, Score, Song, Art Direction, Costume Design, Color Cinematography, and Film Editing.

Inger participated in an opening dance routine along with Lori Nelson, Jean Wallace, Terry Moore, Carolyn Jones, Erin O'Brien, Arlene Dahl, Connie Towers, Joanna Moore, and Barbara Rush. She also wore costume and hair from The Buccaneer in an onstage fashion show of the year's Best Costume Design nominees. You can view a clip of the fashion show on Youtube.

Inger with other actresses for the opening dance number.

A close-up of Inger from the group photo.

Inger had flown from New York City (where her suicide attempt and recuperation took place) to Los Angeles in early March, which signaled to the press that "her health's O.K. again." Hedda Hopper remarked that Inger was "looking like her old self again" and Inger assured Louella Parsons that she was thinking of the future and that her troubles were behind her. Gossip columnists and fan magazine writers speculated on which married man had caused Inger's anguish and led her to suicide. Several years later, a couple of writers would correctly identify the man as Harry Belafonte. Inger redirected the questions about her personal life to focus on her career aspirations, letting everyone know that she'd love to play Holly Golightly in the upcoming film production of Breakfast at Tiffany's.

Inger was kindly welcomed back into Hollywood. Columnist Sheilah Graham wrote, "Inger Stevens was hard to recognize. The last time I saw her, Inger's hair was a drab shade of blond and she was a worried gal. This time she looked gay, very French with her soft, scattered, very blond and becoming hairdo." 

Bob Thomas wrote that Inger's appearance at the ceremony received an "unusually warm reception...like an outstretched hand of sympathy for a girl who has undergone emotional stress." 

After that welcome, Inger returned to television work. Audiences would see her Inger in Playhouse 90 in May, Bonanza in September, and Sunday Showcase in December. But Inger would not be seen in a movie for another five years. Unhappy with loanouts, bad scripts, and a suspension, Inger surprised everyone by buying out her contract with Paramount by the end of the year. After her contract buyout in December 1959 and before landing the lead role in The Farmer's Daughter series in August 1963, hardworking Inger would star in twenty-two television productions and three plays.

Several years later, Inger would reflect on the year of heartbreak, survival, and independence. She said:

I don’t think I’m the least bit jaded. Life goes on for me in a very happy fashion. I’ve just gone and had, of course, mistakes and certain unhappiness, but that’s all part of it. You can’t be expected to always be making the right decisions. That’s what makes you grow up, and I don’t regret anything. I’m the sum total of all those things. But I know I’ve learned a lot – and changed. I’m more realistic about people now. I don’t think I’m living in a dream world. I don’t expect too much.

Sources:

Buffalo-Courier Express. March 17, 1959.

The Evening Star. April 10, 1959.

The Ledger-Star. April 10. 1959.

St. Louis Post-Dispatch. April 5, 1959.

San Francisco Examiner. March 9, 1959.

Solano-Napa News Chronicle. February 13, 1959.

Wednesday, October 11, 2023

House of Cards (1968) and its International Locations


House of Cards is a 1968 suspense thriller starring George Peppard, Inger Stevens, and Orson Welles. It is my personal favorite of Inger's movies for several reasons. First, Inger is given a mysterious and modern role fit for a leading lady. Second, she is dressed impeccably by Edith Head. Third, Inger gets to fall in love with George Peppard in the most beautiful locations in Paris and Rome. Finally, it's an intriguing plot with excellent acting from all players. 

This post is an entry in Hometowns to Hollywood's Celluloid Road Trip Blogathon: International Edition. The film's key scenes take place by the Seine in Paris, at the Trevi Fountain in Rome, and at the Colosseum in Rome.


The Film


Reno Davis (George Peppard) is an American boxer whose career is in decline. After an unsuccessful fight in Paris, Reno is shot at by a young boy, Paul (Barnaby Shaw). Returning the boy to his mother Anne de Villemont (Inger Stevens), Reno is immediately struck by the strange behavior and ornate surroundings of Anne and her son.




On the day he plans to leave Paris, Anne offers him a live-in position tutoring her son. She explains that Paul’s father was killed in the war and that she’d like an American man to guide her son. Reno agrees due to the substantial pay and his curiosity about her situation.




He quickly learns that the elder members of the family live to revel in past military glories and heavily monitor the actions of Anne and her son. Reno continues to notice the strange, secretive behavior within the house and the contrasting contained warmth that seems to exist within Anne.




Dr. Morillion (Keith Mitchell) maintains a firm grip on Anne’s physical and mental health and is extra observant of Paul’s actions. At parties within the house, Reno meets Leschenhaut (Orson Welles), whom he later discovers is leading a global fascist movement to overthrow the government. Reno begins to see that Anne, who has been presented to him as a mentally fragile alcoholic, is actually right to believe nefarious activity is afoot. 

When Paul is kidnapped and a murder plot on themselves revealed, Reno and Anne must work together to travel from Paris to Rome to rescue Paul while exposing the fascist plot.




The Locations 


The beginning of the film focuses on views of Paris, particularly set around the Seine. Multiple attacks take place on the bridge and in the Seine itself.



The castle from which Reno and Anne escape is located at Odescalchi at Bracciano, outside of Rome.




An enjoyable scene takes place in the Fountain of Trevi. Anne and Reno are stealing coins from the fountain in order to refuel their car. When a policeman approaches, they quickly embrace as lovers so that the cop does not notice their thievery. 

The scene was shot in the evening and the water was freezing.  A large crowd gathered to watch the filming of this scene and ended up ruining several takes. At one point, a three-year-old child jumped into the fountain and Inger had to pull the child out and return her to her mother.






Fittingly, House of Cards' final scene in which the hero Reno battles the villain Leschenhaut happens at the Roman Colosseum.




The Reception


The film was positively received. Don LaBadie with the LA Times wrote that the film, "may well be more in the vintage Hitchcock tradition than anything the master himself has done in years." LaBadie praised the film's "shrewd blend of Hitchcockian ingredients" and Inger's character: 
Miss Stevens is a distressed, ambiguously worldly lady—a figure reminiscent of that played by another Swede Ingrid Bergman in Hitchcock's Notorious—who only seems to be a tramp. 

Inger Stevens was thrilled to get the chance to play a true leading lady role. Always self-deprecating about her beauty, she said:

I'm playing a super-sophisticated lady who might mistake a milk pail for a champagne bucket. And, for the first time in my career, I'm getting a chance to wear really beautiful clothes. You cannot imagine what a great lift it gives an old Raggedy-Ann type like me to get into some sparkling fashions. You know, Universal sent Edith Head all the way over to plan my fashion parade. She didn't have to bring along all those Oscars—I know I'm in the best of hands!



Orson Welles loved his villainous role and appreciated the film's clear definition of good and evil characters. Orson said: 
I was attracted to this role for several reasons. I've admired the work of Stanley Ellin, who wrote the novel. He's done some marvelous short stories, wild and brilliant. There was one I wanted to make a film of, a story about a company whose business it is to get rid of the old people in your home. Terrifying. Unfortunately, Hitchcock had already bought it.
Then I found that, for a change, House of Cards was a melodrama that had a villain and a hero. Much more than half of all the films made and all the plays produced are melodramas. Shakespeare's tragedies have great tragic elements and great tragic moments, but they're all pure melodramas. What's being forgotten at present is that melodramas are based on a conflict between good and evil. Nowadays, the villain is disappearing because the hero is a villain, too. You take on a part and you discover that all the pleasure in being a villain is being usurped by the leading man. The morality of the melodrama is becoming flabby under the guise of being tough. In too many films, there are no longer the bad guys and the good guys. There's just the guy who wins.
George Peppard was exhausted throughout the filming and called it, "The Running, Jumping, and Never Standing Still Film." He respected Inger, telling reporters: 
I think Inger Stevens is the most courageous actress I have ever met in this business. She has had a series of physical ailments that would have downed most fullbacks, but she has never complained. As for myself, I've never worked so hard on a film in my life. I just got up from a 19-hour sleep.

Behind-the-Scenes Facts


Filming took place in August-November 1967. Inger joined the cast as Anne after German actress Eva Renzi left the production.


In one scene, George Peppard cut his thumb with a knife—requiring six stitches. 

Inger gave Orson Welles a collection of Happiness books by Charles Schultz as a gift. Orson later remarked, "It may sound corny, but I've become an ardent Peanuts fan."

Inger spent Thanksgiving with Rock Hudson, Shelley Winters, Shelley's boyfriend John Stroud, and the George Segals at Chuck Painter's apartment in Rome. 



Inger lived at the Piazza San Salvatore during filming and told reporters that she loved Rome so much she planned to buy an apartment building there. In typical Inger fashion, she also playfully poked fun at Italian living and the less-than-glamorous life of a movie star, saying:
Oh, the noise. I live in an old palazzo in a marvelous duplex. When you run the vacuum, you have to disconnect the refrigerator or you blow a fuse, that’s how old the place is. At 5:30 every morning, the bells in the church next door start clanging and the Italians start gunning their motors. I cook myself a steak and go to work.
I have to have my hair washed and set every evening. But with the electric current so weak in my apartment I’m afraid of fusing everything so I go to a beauty parlor. The beauty parlor is usually filled with principesses and their dogs. I’m usually dressed in jeans and sandals and the principesses and their dogs look at me suspiciously. The dogs, usually tiny, growl ferociously. 
Hours later I exit from the salon with my hair in enormous curlers looking like a science fiction character. Because of the curlers, I can’t go out to a restaurant. So I trundle home, eat a cold dinner and drink a hot glass of milk. I watch the news on television to improve my Italian and at 9:15 I get into bed, happy as a clam to be living in glamorous Rome. Oh, I forgot. Before I clock out, I dial 114 and have a call with the wake-up service. You never know, one morning the church bells won’t ring, and the Romans will renounce their damn cars and I might even oversleep!

Due to some copyright issues with the music, as I understand the issue to be, House of Cards has not been issued on Region 1 DVD. However, it is available as an import, which plays perfectly on my Blu-ray player.





Sources: 
LA Times 23 Nov 1967. 
The Missoulian. September 21, 1967.
The Missoulian. November 3, 1967.
The Pensacola News-Journal. October 29, 1967. 
Pittsburgh Press 16 Jan 1968